Yeah for Scrivener and David Hewson!

A few months ago I switched to a Mac after half a lifetime on PCs. It's been a steep learning curve but I'm just about there. All the things I thought were intuitive weren't... and I still get confused switching between PC at work and Mac at home, but I'm now glad I made the leap.
It took a while to find a writing program I was happy with but I eventually settled on Scrivener. I followed the tutorial that came with it - and fell asleep several nights running. It's a little too comprehensive. I found it hard to sort out which features I really needed and which were peripheral to my kind of thinking and writing. In the end I followed my nose and muddled through several stories and articles, but knew there was much more to it, if I could just take the time out and sort through it all.
Today as I read a few blogs and limbered up for the day I stumbled on David Hewson's Writing a Novel with Scrivener. He cuts straight to the point. The features useful to everyday writers are explained in a few short pages. I found out how to go to full screen and back again quickly, how to use the dictionary and turn on the thesaurus, change fonts for the whole project, split documents without cumbersome double screens, rearrange the binder (I'd struggled for hours to work that out for myself). In short I'd been too interested in getting the writing done to fully realise the power of Scrivener for arranging, structuring, formatting, editing, checking  my text etc etc.
After an hour with David Hewson I'm writing and using Scrivener to the limit. (Just had to tell someone how great Scrivener and David Hewson are!!)

Ghost light - Joseph O'Connor

Ghost Light has been a slow read. This quintessentially Irish story of love between Molly, a catholic actress off the streets of Dublin, and the innovative protestant gentry playwright, Synge, is set in the early twentieth century when the stage was not a suitable profession for male or female. Both lovers are historically true but O'Connor has imagined most of the story and action. In reality, while they became engaged before his premature death, their relationship was probably not as close as O'Connor suggests.
The novel covers a day in the life of the aged and bibulous Molly as she crosses London for her last acting job. The story jumps all over the place - an inn or a bookshop in London, a theatre in Dublin or New York, a train in America or is it England? - as Molly's memory focuses then fades. She recalls their early relationship, their friends in the Irish theatre, times in America and their rupture. The first section in the second person point of view conveys the murmurings of the old woman eking out a life alone in the slums of London.
Joseph O'Connor writes lyrically but not economically. The plot is lost in thickets of description and the pace slows to a snail's pace in many sections. I read several other books while I read Ghost Light but am glad I persevered because it is a beautiful, sad and evocative work.

Time for Tabby

Cats have an impeccable sense of time - they stretch out into it, they thrill to the immediacy of life for a few hours and then they retire to recharge their batteries. Miss Tabby wonders what I am doing in front of this screen instead of talking with her. Humans have such strange priorities! If she is awake I should be with her. If it is dinner time I should be fully immersed in its preparation. If a mouse or other excitement crosses my path I should give it my full attention. If I am overtired or sick I should be resting. So simple really!
Instead I am driven by a plethora of shoulds. I should be cleaning the house, writing a poem, resting my back injury, walking the dogs, finishing that story, writing my work blog - all simultaneously, if I listen to my conscience.
Today I shall take a leaf from Tab's book and pay attention to one thing at a time and do it with my whole heart and mind.

Paying attention on the Mekong

Several years ago I spent two days drifting down the Mekong River from Thailand into Laos, and still it haunts me. While others huddled down with their books, ate and drank, or chatted, we found a spot in the stern. Mesmerised by life on the ancient waterway, I dared not take my eyes off its banks and streams for even a moment.
People in long narrow river boats tended crops on remote banks or nets strung across rocks. They rowed, or steered motorized river boats, between villages or paths to mountain fields. Large cargo boats passed us regularly, carrying all manner of produce and goods. Families lived in the helms. Children played sure-footed on the decks.
Unusually for me I didn't pick a book up for the entire journey. I pointed sights out to my husband or took necessary subsistence, but mostly I sat motionless soaking the experience in.
How often do we allow ourselves to truly be in the present like this, soaking in scenes and experiences that will continue to affect us years later? With iPhones, iPads, computers, and yes, even books, we allow ourselves to be distracted from our present, that is our lives, for almost every waking moment. I wonder what I will remember of the days I spent fixed to a screen of some kind in ten years time?

Eureka!

For your born writer, nothing is so healing as the realization that he has come upon the right word.

Catherine Drinker Bowen

Anne Enright on writing

Booker prize winner Anne Enright nails the reasons people write.  To stay at it is an effort of will and they must really want to write. Writing has become such a habit for her that she feels bereft without it. Self-definition is also a reason for her writing but she insists it all comes down to a strong, almost irresistible need to write.
I've known that urge to make sense of the world through writing and have filled volumes of journals and megabytes of memory with my meanderings. Some makes it through to the public eye as fiction, essay or poetry but much remains as private evidence of my obsession to learn about the world.

The Taste of River Water

I heard about Cate Kennedy's latest book on Radio National's wonderful Book Show. The Taste of River Water is a collection of poetry on every phase of Australian life, but particularly life in rural Australia. A woman's response to bush people and happenings, to the loss of a baby, as well as to experiences of Australians abroad.

Cate neatly captures the stoicism and laconic attitude of country people. I worked with farmers and their animals for the first 30 years of my professional life and know well the kind of people who leave the town photographic competition for:


                                          "the long drive home,
                                          to the big bone-dry expanse of land beyond salvaging
                                          with a second prize certificate
                                          and so few words between them


                                          no speaking up
                                          no protest or complaint
                                          no claim of being wronged, or misrepresented"


She slips her knife of words between readers' complacency and piety in poems about contemporary issues. Irish commissioners too busy eating their dinner to save starving famine victims at their door are compared to our current treatment of refugees in her clever The Poor Commissioners.

"But they are with us,
trudging with the last of their energy,
thousands of miles now, from poorhouses and famine fields,
chilled and exiled, holding pitchforks or children
or unsigned paperwork,
forged, faded identifications, the wrong currencies,
they are with us and we will not see them
as they come through the valley,
spurred by a mirage of lit windows
and laughable hopes of some borrowed hearth,
they are with us, and we are done with them,
we will not meet their eyes."


Every word works to draw us in and make us culpable. The language, alliterations ('forged, faded identifications'), repetitions of phrases ('they are with us'), and metaphors reinforced with the marching rhythm skilfully lead us on.
This is an excellent and consistent collection of poetry available in e-book or hard copy from  Kobo.